On Talmudic Methods as Tactics: Occidental Observer

The Boromir Syndrome (BS) is rampant over at The Accidentally Talmudic Observer. They recently published this article in effort to seem sound on the issue of violence. Little do they know, they are using definitions from history's most nefarious book and thus continue to spin in their goy wheel.

On Violence as a tactic
By Kevin MacDonald

A correspondent concerned about the connotations of some of the commentary on this site sent the following:

Some patriots, especially the young, become frustrated and angry and want to take direct action. That is understandable because we are facing a life-and-death threat to our national existence and our political class is demonstrably failing to show leadership; indeed, major elements are leading the attack on the American people. But it is both morally wrong and tactically counterproductive to advocate or practice violence.

SoE: So "taking direct action" and "advocating or practicing violence" are the same thing? If you are a BS Gentile than they sure seem to be! That illusion is part of the Paradigm Prison, which is ZC approved definitions for everything. Going by them will never lead to progress, they are designed to be ineffective.

The mentioning of "patriots" and "threats to our national existence" and other assorted tribalist vocabulary makes the failure of this article all the more plain. Failure when dealing with Zionists that is. Technically, the goal of this article is to present Babel, and in that, it succeeds.

Reasons:

Moral.
The rule of law is critical for the maintenance of civilization. In many ways, it IS civilization. We might not like some of those laws but unless we limit our protest to legal means, we contribute to the slide to barbarity that has done so much harm.

SoE: Again, they are trapped in the Paradigm Prison. The Aryan State (the true remedy for Jewish corruption) does not use the law as a "maintenance of civilization," but rather to progress civilization towards an ideal. Law, by itself, is in no way the actual civilization. By appealing to the corrupt laws that have allowed Zionist crime, how does MacDonald hope to stop it? Maybe next he'll recommend that an organized crime syndicate aide the police in catching a big time mobster, who may or may not be their boss.

Tactical.
Violence or its advocacy would allow our enemies to call down the full power of the state apparatus upon us. Even if we were strong and had a chance to win elections, it would be fatal to become outlaws. Many many Whites would feel compelled to withdraw their support. A movement that had taken decades to build would be dismantled overnight, its assets liquidated, its leaders jailed. And even if violence had a good chance of accelerating victory, going down that path would soil the vision of our New America. We want the freedom we seek to last; we want to set an example to other Western peoples and to other civilizations that will make our liberation permanent by setting it within a compatible international order. We can only do that by appealing to the highest personalities, to the natural aristocracy of other countries. Only then will they gain the moral courage to act in their people’s interests. We can only do that by being demonstrably decent, by being the sort of people they want to be. This is one of the practical implication of being a cultural Christian.

SoE: The bold faced emphasis (added by me) is MacDonald's solution. Close, but no cigar, MacDonald. "Aristocracy" not only has elitist and un-Aryan connotation, but the current ruling classes, to which MacDonald suggests that his readers appeal to in order to find a solution, are the ones most likely to be most corrupted by the current system. MacDonald does not offer radicalism (the Aryanist definition) and seek allies outside of the current establishment, thus the ones most likely to have true Noble motivation.

The only thing that MacDonald gets right is by saying that those who want to enact change should be decent, but he doesn't lay out how they can also be effective and thus this is another TOO dead end.

Programming Language

"Ctrl-Alt-Delete" is Restart, not Revolution.

Stanley Kubrick: A Limited Exception

Stanley Kubrick is one of the most fascinating filmmakers to have ever helmed a camera. His work was very meticulous; from the script and initial research all the way to filming and editing, Kubrick would ensure that all of his precise vision not just made it into the film, but that it was composed just the way he wanted. This makes Kubrick films quite unique and by the time the major part of his career took off, he already had defined much of his signature style. Preferring long takes, carefully composed camera angles and increasingly elaborate sets and themes, by the time his career ended with his death in March 1999, Kubrick had created a limited, though unmatched, series of works.

Many reviewers have noted that Kubrick's works contain not just the obvious plot line, but also hidden and practically subliminal narratives. It was into these carefully crafted and camouflaged story elements into which Kubrick inserted not just a psychological underbelly for his story, but also some daring political themes. In fact, in looking at these hidden themes we can see that Kubrick was very much concerned with politics - he must have thought about it a lot and studied it at length. However, Kubrick was very reclusive - he rarely gave interviews, refused to fly, always filmed in England - huge sets were build to stand in for Vietnam in Full Metal Jacket and for New York City in Eyes Wide Shut - and he also had a secretive production method of not allowing anything released about the movie without his approval. Some would call him a genius artist with a grand vision, while others a would just settle for "control freak."

Kubrick's view on power can be seen throughout much of his work: powerful entities are usually dangerous. These can be the Hotel in The Shining, the secret government project in A Clockwork Orange, the war zone in Full Metal Jacket and others. Kubrick repeatedly showed the innocent as small and the evil as much bigger. 2001: A Space Odyssey seems to be an exception to this as it is a story about spiritual ascent, but there is a greater exception here as well: that would be Kubrick himself.

The Exception and The Rub
Kubrick disliked power. His wife, Christine Kubrick, whose uncle actually worked for Goebbels, and who survives him said this in an interview with "The Guardian": "All Stanley's life he said, 'Never, ever go near power. Don't become friends with anyone who has real power. It's dangerous.'" Certainly, for one with such an attitude to be somewhat of a recluse is no surprise. Kubrick was also a Jew and there's the rub - his vision, though unique, was limited.

All of Kubrick's criticisms of power and imperialism, even themes against the Fiat Money conspiracy, in The Shining seem to end with Anglo ruthlessness, as this quite fascinating review by film analyst Rob Ager shows. Now, as a reviewer, Ager was only analyzing what Kubrick had to communicate, so it is really Kubrick's fault for conveniently omitting the fact the entire Fiat money scheme is a product of the Jew - from Warburg and Rothschild to the current large bankers like Blankfein and Bernanke, they're all Jews practicing what is appropriately called "Israelite usury" or "moneychanging" - precisely the type of people that Christ drove out the Temple with a whip - precisely the type of nefarious scheme that Mohammed taught his followers to criminalize and enforce laws against. Precisely the type of thing that Hitler took political action against in the 1930s. Kubrick sees the crime, but not the true perpetrator. And he definitely doesn't see the remedy. Or perhaps he is denial as he never pointed out the intrinsically immoral aspects of the Talmud and Zionist beliefs that all people, other than their exclusive elite, are "goyim" - meaning "cattle" that can be rightfully exploited to serve Jews.

Other very in-depth writings on the The Shining also fail to see the Jewish factor:
Mstrmind's analysis
Jonny53's analysis

Jonny53 even mentions the Devil as being present in the form of Lloyd the barman, yet what is "the Devil?" Why, it's Yahweh - the Jewish idol who is described as having "two monstrous serpents below the torso - and wielding a whip." This is precisely what Tolkien pointed out in The Lord of the Rings with the Balrog and the Dark Lord Sauron who both bear many similarities to Baphomet who just happens to be a spot on description of Yahweh.

In A Clockwork Orange, which aforementioned film writer Ager also reviewed at length, Kubrick even shows us the "evil Nazis" and this is perhaps the clearest example of his limited vision - he cannot see the National Socialists from Germany as anything but pure evil. Ager interprets that Kubrick actually saw them as puppets to some greater sinister forces, but then why after such keen observation and thorough research that Kubrick always put into a project, doesn't he see that Hitler actually then broke free from the scheming finances of the International Jew? Why doesn't he see that Hitler's grandest achievement of making Germany economically self-sufficient was precisely the reason why Judea actually declared war on Germany and not the other way around? The reason is painfully simple: Kubrick was a "clockwork orange" himself. He was a limited exception to the typical sheeple types as he was clearly much brighter and more inquisitive, to a degree. However, as far as the mainstream paradigm is concerned, he was still a prisoner - just because you stick your arm through the prison bars, doesn't mean you're out.

Consider the Ludovico Treatment sequence in A Clockwork Orange: the protagonist, Alex, is given a nausea-inducing serum and is then shown a movie montage of violence. This is meant to make him associate his ill-feeling with the violence so as to reform him from his previous reckless and criminal activities. The sequence includes prominent National Socialist imagery of an NS rally at Nuremberg and Alex screams in terror and/or pain when a close-up of the Swastika finally appears. Ager claims that Alex is realizing his own vicious nature, yet it makes much more sense to think that Alex is being conditioned against National Socialism. This sequence is actually much more applicable to reality as a satire on the Jewish owned mainstream media that ever spouts their favorite bit of horror fiction: the "Holocaust" and "evil Nazis." If you're sick of being fed the same old regurgitated cud then you are not alone, but you must realize it for what it is and leave the herd - will yourself out of the paradigm prison.

Predictably, Kubrick was a believer in the Holocaust myth and actually had a project in the works called Aryan Papers that he abandoned after the release of Steven Spielberg's Zionist propaganda piece Schindler's List. Quick to believe the mainstream lies on the Third Reich, yet totally ignorant (or in denial) to the truth about the racism of Judaism, which is the one truly race and biology obsessed system of twisted beliefs and not Hitler's National Socialism, which was based on folkism.

Despising versus Mistrusting
This is another one of Kubrick's faults when it comes to the established power paradigm. He may have kept his distance and repeatedly shown that it is dangerous, yet he never seemed to offer a solution. This is because Kubrick simply mistrusted those in power and thus lived by a libertarian/anti-statist set of values. He mistrusted power, since the only power he knew was the corrupt ways of Jewry - he was a paradigm prisoner.

Kubrick's own thoughts about A Clockwork Orange were:
"Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved—that about sums it up. I'm interested in the brutal and violent nature of man because it's a true picture of him. And any attempt to create social institutions on a false view of the nature of man is probably doomed to failure."

This basically means that Kubrick is completely blind to, and ignorant of, Aryan nobility and ideals.

Michael Herr, with whom Kubrick collaborated on Full Metal Jacket, wrote in his memoir:
"Stanley had views on everything, but I would not exactly call them political... His views on democracy were those of most people I know, neither left or right, not exactly brimming with belief, a noble failed experiment along our evolutionary way, brought low by base instincts, money and self-interest and stupidity... He thought the best system might be under a benign despot, though he had little belief that such a man could be found. He wasn't a cynic, but he could have easily passed for one. He was certainly a capitalist. He believed himself to be a realist."

And this essentially boils down to the certainty that Kubrick was a paradigm prisoner, though he we was ironically ignorant of his predicament. He was his own breed of Lone Wolf, a survivalist that likes a world where he makes all of his own rules and has no duties other than to himself. He may have disapproved of tribalism and elitism, but the Lone Wolf is essentially a self-tribalist, thus does not speak out against or offer solutions to those problems and schemes of exploitation. Kubrick did just that, he painted an image of perpetual trouble, while lacking the radicalism to implement genuine solutions, which can only be done by those who truly despise the tribalism and elitism and Zionism.

This bit of merely not trusting makes Kubrick a contributor to a key of Jewish propaganda: the treadmill with no-purpose or a "goy wheel." Comic book superheroes are a Jewish invention (e.g. - Superman fights Lex Luthor, whose name literally means "Law of Luthor" since Martin Luther proposed laws to keep Jews from running their schemes) and these heroes persistently fight evil, yet they never end it. There is always another issue or episode or sequel and the fight continues with no end in sight. Jews in real life engineer a very similar playing field that these heroes are essentially imprisoned in as part of their own aimless struggle just like the people they "protect." They're all just stuck in a loop of fight and keep fighting, but never actually realize any ideals - a spinning goy wheel. Kubrick's pessimistic view of mankind was much like this: he mistrusted mankind, so he retreated to his own personal mansion after acquiring enough money to live a secluded life, and then went on to make movies about how largely hopeless the struggle for mankind to improve is. He was trapped in his own goy wheel, though, he must have thought that by removing himself from the mainstream he was somehow "free."

The film 2001 may initially appear as an exception to this, as it clearly has a story arc of spiritual ascension, but it also has a clear lack of Aryanism and Kampf: there is a theme of overarching fate. The humans don't ascend via their own hard work and struggle, it just sort of happens because some sophisticated alien being(s) decide to contact us and nudge us along. With 2001 Kubrick repeated his notion that man is just an "ignoble savage" but apparently we don't have anything to worry about as some divine-looking entity will save us! Despite that it is a well made movie, a serious ground-breaker for its time on a technical level, but the story just reeks of what Carl Sagan had to say about the Cosmos.

Stepping on Toes
Each one of Kubrick's films from Dr. Strangelove and on seemed to be another jab the World elitist power structure in one way or another. This culminated with the 1999 film Eyes Wide Shut which shows a secret society, that is said to consist of socially powerful people, to be a decadent orgy that even gets away with murder. Four days after he presented the film to studio executives, Kubrick died of a heart attack in his sleep and the film was subsequently re-edited out of his hands before being released. Kubrick was 70 at that point and theories abound as to the exact reasons for his death. Was he finally compromising the boundaries of the forced and false paradigm? Or did the elitists finally have enough of his constant prodding? Or maybe he just died naturally? Certainly a heart attack at that age isn't anything unusual given Man's overall state-of-being these days, but neither is lethal subversion by Zionist scum who will readily kill their own to perpetuate their parasitism.

The Aryan Kampf in "Lord of the Rings" - Part VI

Conclusion

After Aragorn's coronation as the new King of Gondor, the goals of the Kampf that the Fellowship set out on, have finally been accomplished. There is a spiritual progression throughout all of Middle Earth, but especially in the members of the Fellowship. Gandalf had ascended to Arhat much earlier, but now Frodo and Aragorn effectively join him. Also, given his ancestry, Aragorn taking his rightful (and dutiful) place on the throne at Minas Tirith is effectively the first major step in the reemergence of the Aryan civilization. However, since all key Aryan traits are not ethnic specific, the new standard of nobility that is now in place throughout Middle Earth is the real meaningful reemergence of Aryanism. One Aryan leader wouldn't mean much without a noble folk supporting him.

The Hobbits return to their Shire and most of the residents here are completely unaware just how monumental the past thirteen months have been. With their noble character, Frodo, Sam, Merry, and Pippin expect no thanks, they just know that what they did was right and that's enough. This change of character can be seen as they share a pint of ale in their favorite tavern, the Green Dragon. They just sit in silence, with a sigh of relief, do a "cheers" and take a few relaxing sips of the ale that they haven't had for over a year. Note that in the background, the other Hobbits behave like, well, like Hobbits; they're rowdy and inebriated, but they do mean well, though only in a humanist (or maybe hobbitist?) sense. Our four little friends, however, have become conscious of Arya and Universalism. It also gives Sam that extra bit of confidence he needs to finally profess his love for Rosie, the alewife at the tavern.

The Scouring of the Shire
There is a very large deviation from the source material in this concluding series of scenes. In general, everything ends up in the films as it does in the books, but one key episode was omitted from the film version: the chapter entitled "The Scouring of the Shire."

This chapter begins right when Frodo, Sam, Merry, and Pippin are returning to the lands of their Hobbit kin, but soon realize that something is very wrong. In short, the Shire has been over-run by thugs and also has been turned into crude industrial complex. To our heroes' surprise, it is all the work of Saruman along with his servant, Grima. In fact, what has been done in the Shire seems to mirror what happened at Isengard with the massive golem foundry for making orcs.

With this key episode Tolkien has effectively illustrated the arid hate and parasitic persistence that drives the Jewish subversion of nations and cultures; if one place doesn't work out, flee and hide for while until another opportunity is ready to be exploited. The forcing of destructive industrialization represents Tolkien's own fears from what he saw happen to the English countryside as many nations and economies started to get more and more mechanized. However, the well versed Tolkien must have also known about such things going on in the USSR and this is where the "rule by terror" notion seen in the story can be applied. It is a well known fact that at least 75% of all Soviet Commissars were atheistic Jews and they hated priests, yet held rabbis in high esteem, which of course, makes it plain that they just announced themselves as atheists, but secretly continued to practice Judaism. This also makes plain as to why the Soviet regime destroyed churches, but left synagogues standing. Saruman's actions in the Shire here are basically a line by line account of Bolshevik terror, but guised in story and metaphor.

Despite this different chapter in the book, Saruman's fate is very similar in both book and film. In both instances, Grima jumps up at him with a knife, but is then cut down by some well aimed archery. Though, in the book it is the Hobbits that fire the arrows. This also brings us to a key factor of message subversion. The movie shows the Hobbits living a peaceful life and not worrying about anything - all the important events take place elsewhere. Most people living today are in a situation analogous to Hobbit life - there is work, family, and job with the great big World beyond this immediate sphere and it is primarily seen through the media. Thus, the film's message is "don't worry, someone capable will fix all those horrible things you hear about." There is no doubt that Tolkien was well aware of the dangerous folly of such thinking and thus made it clear that ALL nations and folks must be ready to stand up and fight - even happy little Hobbits.

This review of the film The Dark Knight also examines the idea of ordinary people needing to unite to solve the plagues of their nation. Note the last section on the character, Brian.

Saruman's death in the film has metaphysical metaphors as we identified in Part V - he gets impaled on a symbolic Aryan Sun Wheel - while in the book he is driven out by Hobbit militarism with his death being a little more pitiful - he dies from the volatility of the situation that he is ultimately responsible for getting himself into. These two endings may take a different route, but wind up at the same meaning. The spoke wheel from the film could also be a link to Buddhism, which is an ideology that thoroughly rejects nefarious Talmudic materialism.

Saruman's Final Bane

Some Other Matters
Galadriel's Ring, which only shows up in one brief scene, can be seen to have six-points as the Judaic hexagram. However, Galadriel's ring is a flower, not a star, and on close examination you can see that the petals are "swooshed" to give it a spinning, or even Sun Wheel, appearance. The connection between Flower and Sun furthers this idea, thus the Rings that the Elves made to get knowledge about Middle Earth are shown as flowers to mean something along the lines of "blooming knowledge" from the Sun Wheel - the Swastika. Also, Galadriel's Ring is silver, while Sauron's Ring is gold. There is no doubt that a currency and monetary theme is at play here. Here some some interesting articles on the Aryan qualities of silver.

Perhaps the design choice of six petals was meant to appease Hollywood Jews, who just smelled a ton of money from the potential box-office success of an adaptation of such a popular book, but they didn't bother to look deeper and see that all the film's coherent symbolism and themes are actually Aryan!

Even the idea of the Elves "going West" has been inverted from its apparent Judaic/Masonic meaning. This was, of course, done by Tolkien long before the movie was made. In Freemasonry, when someone dies they are said to "go West." Tolkien ridiculed this idea by having immortal Elves go West! He flipped the Masonic idea on its head and probably had a good laugh about it. In the film version the last shot of the boat "going West" and into the Sun suggests that the departing Arhats are becoming one with Arya. It also looks a lot like a Viking funeral rite, in which the body was placed on a boat that was then lit as a funeral pyre and cast out towards the setting Sun. So, there are many interlocking metaphors here (as well as the satire) and they all tie in with Aryanism.

Passing into the Infinity of Arya

The one problematic thing seems to be that the one literal pyre that appears in the film is linked with Denethor's madness. Also, the dead at Rohan are buried in mounds. However, since the film takes place in the Third Age, before the Return of the King and Aryan Nobility, this can explain the lack of Aryanism in the lifestyles of much of the established nations.

Lastly, there is the idea of racial interpretation. The Gnostic Cross, which makes key appearances in the Hall of the King in Rohan and in the Royal Courtyard in Minas Tirith, is often used by White Nationalists. This can be seen on the main page of websites like "Stormfront" among others. This interpretation can be further solidified by the fact that all the good human characters appear to be Ethnic Europeans, while the bad humans are "The Men of the South" who can be seen as Moors or Arabs or even as Africans. Despite this, the racial interpretation is totally false. First off, the Corsairs who are mercenaries hired by Sauron, are shown to have many Whites among them, if not mostly Whites. Second, the orcs, who can occasionally be heard to speak English, have accents that can be heard around the United Kingdom, Australia and New Zealand. Thus, if race is applied to them, they'd could very well be White, though not necessarily due to the diverse population of those nations. The point is that this kind of interpretation of supposed racial supremacy falls flat on its face and cannot be made coherent through the whole story. Tolkien himself said that allegory was never his intention, but applicability. The only aspects that are coherent enough to be applied to our World are not racial, but folkist. Tolkien was advocating the unification of groups of folk. Note that this is precisely where he ends the core plot of his tale - when the various folk have united within their own nation, which then went on with noble relations with their neighboring folk, and this caused the defeat of their common enemy.

Also, as far as the Gnostic Cross goes, it should be noted that many non-racists, but racialists (a.k.a. folkists), use that symbol in their imagery and it is they who have an accurate understanding of its universalist symbolism.

Final Thoughts
The Aryan elements far outweigh the un-Aryan in The Lord of the Rings films. Even those un-Aryan elements that were introduced as part of the screen adaptation's production were nowhere near powerful enough to subvert Tolkien's themes. I have reviewed many films here, but this trilogy is, without a doubt, vital to authentic Aryanist revolution. Most of the other films that I have looked at only enjoy notice from small, but devoted, fan bases. The Lord of the Rings, however, is known and available worldwide in both its original literary version and in this very faithful film adaptation, which makes it one of the strongest elements that we have active on The Storytelling Front.

The Aryan Kampf in "Lord of the Rings" - Part V

Events and Places
Volume III: The Return of the King

Once again, we pick up right where the previous film left off. The nation of Rohan had achieved victory in the battle at Helm's Deep, which also resulted in Saruman's army being destroyed. In story dynamics, it means that the False Dichotomy had been exposed and one side of it has been put to an end. However, Men are easy to claim victory and settle down after one hard fought battle and it will still take some convincing, a final push, to unite the two nations of Rohan and Gondor.

Frodo and Sam, with Gollum, are getting ever closer to Mordor and this is increasingly allowing for Gollum to be more cunning with his trickery.

The Fall of Saruman and Isengard
The Ents have completely destroyed Saruman's surrounding compound by flooding it with a river from the mountains. The only thing left standing is the tower, Orthanc. In the books this is explained by revealing that Orthanc is actually one great piece of unbreakable stone and the Ents were not able to bring it down. This bit seems to be only implied in the film. However, Saruman has locked himself inside and is at a loss of what to due after suffering such a defeat. Gandalf and company arrive offering Saruman peace if he only tells them what he knows of Sauron's plan. Quite predictably, evil and ego go hand in hand, thus Saruman still thinks he can cause some damage, first by insulting Theoden and by shooting a fireball at Gandalf. This proves folly as Gandalf is now an Arhat. In The Fellowship of the Ring, Saruman easily defeated Gandalf in a wizard duel, but now it is Gandalf who defeats Saruman by breaking his staff with so much as a snap of his fingers.

Grima Wormtongue, Saruman's former agent in Edoras, is here too and Theoden honorably allows Grima to redeem himself and join the forces of good. However, the selfishness of Saruman once again comes out and he scolds his servant for even considering such an option, which in turn angers Grima who jumps at Saruman with a dagger only to be shot down by Legolas, but not before he wounds Saruman who falls from the tower! Quite the quick series of events, but it shows very well how volatile the power-hungry really are, as well as where it often leads them to. The first sequence of this third film is actually an elaboration on the back story of Smeagol/Gollum and it shows how he was, still as a happy little hobbit, fishing with his friend, Deagol, who by chance found the Ring resting on the riverbed. In less than a minute, after the both of them have had a good look at the Ring, they are fighting to kill each other over it; such are the selfish, such are those divided by greed for material possession. In the end, the only winner is the force that initially tore them apart.

With Saruman's final bane the theme of falling can been seen once again. There is even a special tracking shot of Saruman's plunge, much like the previous film did with Gandalf, thus it can readily be identified as a key image and idea. Saruman's fall is also his end; he is impaled on a spoke of a wheel and pulled under water into darkness and death. The spoke wheel can be seen as a metaphorical Gnostic Cross or Sun Wheel. In Slavic mythology, the kołowrót or kolovrat (literally - "spinning wheel" and sometimes Anglicized as collowrath), is a Sun symbol and it comes from the practical tool of the wheel in a well's pulley system, which is course a farmer's tool and thus an Aryan one. The symbol is also sometimes referred to as a Slavic Swastika.

Saruman about to be destroyed by the Sun Wheel

It is this that finally puts an end to Saruman, thus making his death not just physical, but also spiritual. This is a direct opposite to Gandalf who became more physically able and spiritually stronger after his fall and battle with the Balrog. This sequence is also a pretty big deviation from the source material, but that will be covered in Part VI.

Some interesting details here are that Theoden clearly shows to not be under affected by Saruman's voice and magic anymore. This suggests that he is stronger in spirit than before. When Saruman shoots the fireball, the framing of the shot shows the flame swooping down from the top of the symmetrically framed tower, which not only mirrors the power of Sauron's fiery Eye atop Barad-Dur, but also general theme of the Eye of Zion atop the pyramid on the back of the Dollar Bill. The situation is getting dire for the elite at the top, thus they do not just send their golems out anymore, they themselves begin to lash out at those mobilized in revolution.

Return to Edoras and the Next Step
With Edoras saved and the nation of Rohan secure from immediate aggression, the Men do what Gentiles most often do in such a situation - bring out the kegs and mugs and serve ale all around! The Hobbits, of course, join in the celebration. However, Gandalf and Aragorn know that there is still much work to be done. One tower from the False Dichotomy may have fallen, but the other still remains strong. King Theoden has a typically Gentile grudge against Gondor, which he claims didn't answer his own nation's need for help, thus he doesn't have to help Gondor.

Things are also new complications from the fact that Merry, being a curious, but not all that wise, Hobbit, looked into the Palanthir, which was the stone that Saruman had used to communicate with Sauron. This, effectively, gives Sauron a glimpse of what is going on in Edoras as well as make him think that Merry has the Ring of Power. Gandalf leaves with Merry for Minas Tirith, which is the main city in Gondor and that nation borders with Mordor. This will keep Sauron's gaze away from Rohan and closer to his own lands, though unfortunately it puts Gondor on the path of imminent danger.

The Great City of Minas Tirith
Minas Tirith is perhaps the grandest set piece in the entire film trilogy, as well as the location of the most spectacular battles - first the Siege of Gondor, which is almost immediately followed by the Battle of Pelennor Fields.

With its large scope and precise design, the architecture of Minas Tirith is a beacon from an Aryan imagination. The uniform stone design with not one block or corner wasted is what the greatest Roman architect or Albert Speer strived to achieve in one of their projects. Interestingly, Minas Tirith was inspired by a real location that can be visited to this day: Le Mont St-Michel in Normandy, France. This is a key to understanding the very Aryan symbolism of Minas Tirith.

 Aryanism is the Real World and in Fiction

The very top of Le Mont St-Michel is an abbey, while the top of Minas Tirith is the hall of the King of Gondor. This reinforces the Aryan idea of a leader not just being a political leader, but also a spiritual leader - one with a vision and capability for achieving Greatness in his nation. "Le Mont St-Michel" literally means the "The Mount of Saint Michael," referring to the Archangel who struck down the devil with his sword. This can be directly applied to the sword that Aragorn now wields as heir to the throne of Gondor and also to the idea of an Aryan leader being both militarist and spiritual - in effect, being rendition of a warrior angel like Saint Michael. Aragorn will slowly rise to an image very much like this and in the final battle even wears a cape that can be seen as resembling angel wings. The soldiers of Gondor also have wings in the designs of their helmets, they are wrapped around either side.

As Gandalf first rides up to the King's Hall, there is a good view of the courtyard at the top of Minas Tirith, which is basically one big Gnostic Cross. The two statues here also have wings on their helmets, though these actually stick out and this just makes the warrior angel symbolism all the more apparent.

The Final Key to the Grand Alliance
The leadership of Minas Tirith has, like so many other things, been divided. Currently, it is Denethor who sits on the throne, but he is just the Steward, which is a post that perhaps can be best described as "first officer to the King." An important position, one that takes on full leadership responsibilities in the King's absence, but ultimately the Steward is not the top leader. Denethor knows this and has been corrupted by the power that he was entrusted with. Perhaps this comes at no surpise, since Denethor is father of Boromir who also fell to the power of the Ring. There is no direct indicator that Denethor is being manipulated by Sauron, but there is much that suggests that he is in fact under a spell.

First, he is acting horribly irresponsibly in his post. Even if he was a selfish leader who was only interested in saving his own skin, he wouldn't just sit around waiting for his city to be pillaged. Second, we first see him slumped in his throne grieving over the death of Boromir whose broken horn he holds. This is where the theme of duality comes into play. Denethor is effectively the mirror image of Theoden who was also under a spell in his throne. Now, there is no parasitic agent manipulating Denethor, but Grima the traitor wasn't the source of the spell on Theoden, it was Saruman, who was in the bordering territory of Isengard, up in his tower working the magic. Who do we have next to Gondor? Why, it's Sauron himself as Mordor borders with Gondor. Surely, Sauron is a much more powerful spell-maker than Saruman, thus doesn't need a petty agent nudging his puppet along. He can just put his targeted leader into an irrational state of grievance, stirred from the death of a dead son, and have thus have him be an impotent leader for just long enough as an army of orcs marches over from Mordor. The maddened Denethor even refuses to call for aid from Rohan and he is even more stubborn about Gondor-Rohan relations than Theoden was seen to be. Thus, Gandalf must step into action - he has Merry light the beacons signaling Rohan for help and then he himself rallies the soldiers of Gondor right after Denethor had lost his mind and ordered a pointless retreat. The weak and overcome Denethor eventually goes mad and tries to burn his one living son alive, but ends up burning himself and falling (another key fall in the storyline) from the top of his own city.

Theoden, who has shown to be tougher in spirit, rises to the call of duty and answers the message from the beacons. Thus, the much needed alliance is finally settled, but Rohan needs to muster enough military power to smite Mordor's forces. After two days of calling all able men to arms, Theoden and company know that they do not have nearly as much soldiers as they hoped, but they ride into battle anyway. In doing so, they effectively ensure that what Sauron fears most, men uniting with one common purpose, not only happens, but those men then ride battle ready right up to Sauron's doorstep to put an end to all of his deception.

The Importance of the Oath
While Rohan's army rides on into battle with militarist perseverance, Aragorn, Legolas and Gimli, have gone into the depths of an old mountain. They are looking for an old army, long since dead, but cursed and trapped in stone for abandoning their former master Isildur in battle. As Isildur's heir, and now with his ancestor's sword, Aragorn ihas the chance to get these ghosts to fight, which will provide a winning chance for the Alliance, as well as allowing old tortured souls finally be at peace.

The Army of Dead has some interesting symbolism around it. In effect, they are living beings forced into stone. The mountain that they inhabit is said to be "evil" and has this particular aura around it, not a visible one, but one in the metaphysical sense. It is no ordinary mountain and for all intents and purposes, it should not be this way. This idea of having a life force trapped in stone is representative of the golem theme that we have with the orcs. The orcs are artificial beings forced into a certain existence, which is a condition akin to the men trapped in the stone mountain. The key difference is that the golems have been made by evil to serve evil, while the men were formerly good and have been punished for a great misdeed - reduced down to an artificial state of being until they fulfill their oath.

In essence, Aragorn asks the Army of Dead:

"Is Your Honor Loyalty?"

Their rising up to the call of duty, which results in them being free from their torment in death, is also what Boromir went through, albeit over the course of minutes not millennia! Like the Army of Dead, Boromir gave his word to fulfill a task, but was overcome by the Ring and effectively abandoned his duty. However, he realized this an snapped out of the spell and saved Merry and Pippin in battle, but received mortal wounds in doing so. However, he passed on in honor. The Army of Dead, too abandoned their duty long ago, but now snap out of their spell, leave the confinement of stone (un-become golems by their own will), and go to fight for their former master's heir. The theme here is a return to honor and it can also be seen in the line of Denethor (father), Boromir (first son), and Faramir (younger son) - Denethor succumbed to madness from being under spell and died in shame; Boromir fell under a spell, but snapped out of it, and died with honor; Faramir was tempted, but never succumbed, and goes on to live in honor.

So as we can see, the Kampf to overcome the spell of Sauron is also a whole lot of inner-revolutions by individuals as well as the Grand Alliance of Nations and Folk against him. Each member, down to the individual soldier, faces his own inner battle with spirit, in many instances even when already wielding a sword against Sauron. For many may fight, but only the Noble, the Aryans, fight by motivations from a profound spiritual insight as to what they're doing and why - that is the essence of Kampf.

The Trek into Mordor
Frodo and Sam, with Gollum, who have steadily been making their way to Mordor, have finally reached that feared place. Much like with the others facing their toughest challenge, they now face theirs. Climbing up a hidden set of stairs as indicated by Gollum, they are nearing a way past the massive mountain walls of Mordor - a certain tunnel and Gollum seems to have some particular plans brewing with this place. Gollum has been slyly working to get Frodo to resent Sam and to making Frodo suspect that his friend is trying to betray him. This takes its final step during a rest along the steps during which Gollum sets up a situation to make it look like Sam has been stealing bread. Sam, who Gollum knows is frustrated with him, lashes out at Gollum who plays the pathetic, innocent victim. The ruse, of which this is the last step, finally works - Frodo tells Sam to leave on the pretense that the trip is taking its toll on him and that he is hindering progress.

Frodo is, of course, thoroughly convinced that he did the right thing and this is because he did it from his own will - this is the key to Judaic manipulation. It is not the manipulating of the pawns to get them to move where the puppet master wants, it is the manipulating of the playing field so that he pawns move by their own will where the puppet master wants, thus giving the illusion of free choice. The Zionist chessboard isn't literal, it's metaphorical - it is more like The Matrix or the alien infestation in They Live. Due to his madness which was accentuated by the loss of his son, Denethor was absolutely convinced that he was doing the right thing. As was Isildur when he tried to control the Ring. The spell was on their minds. Gollum has just orchestrated such a situation with Frodo and Sam and tore two friends apart - the unimportant one is out of the way, while the one with the Ring is walking into a trap. There is no need to snatch the Ring, there is just the need to get Frodo to drop it.

Sam had had been honest throughout the entire journey and soon sees proof of the ploy that had been played; he promptly rushes back up to help his friend. Frodo on the other hand sees that the tunnel is not just any old tunnel, but actually a lair of a giant spider-beast, Shelob. He just barely makes it out of there when Gollum reappears and now just flat out tries to take the Ring in angry frustration that his plan of having Frodo eaten by Shelob didn't work. Frodo has taken a heavy toll mentally and physically and still doesn't fully see what Gollum is doing, or starts to pity him once again after another pathetic "victim" excuse. However, when Gollum leaps at him again, Frodo manages to roll him off of a cliff... this is actually a bit of luck and Frodo's full commitment to destroying the Ring is still to be tested.

Shelob comes out of her lair and sneaks up Frodo stinging him as he looks where to go. Luckliy, Sam shows up and fights the beast off with Frodo's sword, but also with the vial of light, the Light of the Star Elendil. The theme of light is present throughout the whole storyline and all golems in the Lord of the Rings despise natural light, but especially sunlight. It is no surpirse that the Swastika, a Sun symbol, is looked at with disgust by Zionist pests.

Frodo is not dead after being stung, but rather just completely limp for a few hours, as Sam overhears some orcs talking, but they take Frodo to their fortress, Cirith Ungol. Sam has much of his work cut out for him, as the garrison at the fort begins to fight after an argument breaks out over Frodo's shiny armor. This would have been a pretty lame plot device, since it makes Sam's rescue of Frodo much easier, but as we have seen: orcs are very volatile in temper and spiritually weak beings succumb to materialism quicker. Thus, it is no surprise that something so small sets some orcs off in a brawl, and no surpise that the whole garrison joins in.

Thematically, this is also very consistent. The essence of Sauron's power, symbolic of usury based power, is highly unstable and demands constant manipulations to keep afloat. Also, the orcs/golems are the dynamic opposite of the members that set out on the Kampf against Sauron. Thus, the golems fight without purpose or for whatever little reason they feel like fighting over in a brawl of disunity - while the Noble Warriors on the Kampf fight for a very specific purpose and are united because of it.

The Final Tasks
Theoden's Riders arrived and helped break the siege at Minas Tirith, while Aragorn showed up shortly thereafter with his Army of Dead and helped take down the Men of the South and the Corsairs, allies of Sauron. Interestingly, those particular groups were said to be mercenaries, or soldiers for hire, and thus another version that stands opposite of the Noble Warriors. That makes for three types of motivation to be found in the groups on the battlefield - Noble Warriors motivated by Kampf; Mercenaries driven by promise of gold; and Orcs, brainless golems just doing what they're told - the "anti-purpose."

After defeating all in the battlefield the next decision is the key Final Task for the Alliance of Middle Earth Folk - to meet Sauron's remaining forces by the Black Gate so that Mordor is empty and Frodo can destroy the Ring in Mount Doom. They set out from Minas Tirith.

The success now depends on Frodo who must accomplish his Final Task - destroying the Ring. Note that the final changes that take place physically are in conjunction with changes that take place metaphysically. Gimli who had been stubborn about allying with Men and Elves, went on to accept this, but still poked fun at the fact, as did Legolas. In the Battle of Pelennor Fields, as in Helm's Deep, they were competing to see who can kill the most orcs and Gimli would say "may the best Dwarf win!" Then he got jealous that Legolas managed to take down an entire War Oliphant, complete with crew, single-handedly. As they stand by the Black Gate and watch a massive orc army pour out, Gimli makes yet another remark in the same vein, but Legolas quickly responds and a profound realization sets in.

Gimli: "Never thought I'd die fighting side by side with an Elf."

Legolas: "What about side by side with a friend?"

Gimli: "Aye. I could do that."

That is the essence of camaraderie, which all warriors in a Kampf must come to realize, and in Lord of the Rings, they do. They form a diverse army, comprised of members from every Folk in Middle Earth, to smite their common enemy who has been ever manipulating and causing turmoil for everyone. This multi-ethnic alliance, to many peoples’ surprise, actually has precedent in the real World - that would be the real-life military unit that was as ethnically diverse as a World Map - The Waffen SS.

SS Mittelerde - Dwarf, Human, Elf, Wizard

and Hobbit (the helmet by Gandalf... lol)

Meanwhile...
Frodo approaches Mount Doom and stands at the edge of the grand foundry where the Ring was made. Gollum had reappeared just before he and Sam went in, but Sam managed to hold him off to allow Frodo time to toss the Ring in. However, this final moment, the Final Task, is one of will. Just like for Aragorn and the Alliance of Middle Earth, the hard part was not marching up to the gate and drawing swords, it was getting themselves to do it and then standing ground as they see the orcs pour out. Likewise, for Frodo, a simple toss is not the hard part, but the building up the will to make the toss. It is breaking out of the mind prison set up by Sauron, to any wearer the Ring appears as the most “precious” thing in existence, just like facing Sauron’s army appears as the most hopeless thing in existence - it is all part of Sauron’s spell to ensure his preservation - it is the engineering of the playing field to get pawns to go where he wants them to be and do what he demands of them. And so Frodo... puts on the Ring... immediately Sauron senses this and sends the Nazgul after him.

Gollum, long since completely overcome by his lust for the Ring, will never stop in trying to get it and attacks Frodo, after seeing his footprints, and bites of his finger, which finally puts him in possession of “the Precious.” The next scene is key since it shows that Frodo finally stands up to the task and overcomes Sauron's illusion. Just outside of Shelob’s lair, he had a bit of luck with rolling Gollum off of a cliff, but here actually does it intentionally and Gollum plunges down into the molten rock. Note the shot - it is tracking shot of not just a character falling, but also of the Ring. There is one more key fall, the final one, and it occurs right after the Ring lands in the volcanic river.

The floating Ring is soon consumed by the molten flow, it is pulled under the surface of Middle Earth never to return; this causes the tower of Barad-Dur to crumble and the Eye of Sauron to topple from its peak and burst, rifting the earth in a great shockwave and pulling down all of the parasitic creations deep into the bowels of Baphomet’s Hell.

Frodo and Sam manage to escape the erupting Mount Doom, but get stranded on the slope as lava streams surround them. It all seems hopeless, but then Gandalf shows up with a flight of eagles and both Frodo and Sam are taken by an eagle in its mighty, yet in this case also gentle, talon. It is certainly an interesting image and it is no coincidence that it bears striking compositional resemblance to the Luftwaffe insignia that can be seen in this blog's banner - the eagle is holding the source of salvation which has brought about a New Order.

The New Age and The New Order
A New Age of Unity and Nobility then settles peacefully onto Middle Earth. Aragorn’s final monologue at his coronation on the Gnostic Cross Courtyard of Minas Tirith effectively says: “Let there be Unity through Nobility.” The original Fellowship is still together in friendship and lasting mutual respect. The lands of Men can be seen as soon to be fully united as Faramir and Eowyn - a Son of Gondor and a Daughter of Rohan - have taken romantic interest in one another.

In The Two Towers there is a brief scene where Aragorn’s ancestry is mentioned, and the nation that he belonged to, as well as its dispersal, which reflects what happened to the Aryans in our real World - scattered with the occasional rising up throughout history. However, in this highly romanticized tale, the Aryan doesn’t just rise up and accomplish some feat, he actually ensures the setting up of a kingdom founded on Aryan ideals. This is made all the more clear with the arrival of Arwen right after Aragorn’s coronation. She is an immortal Elf, but chooses a mortal life with purpose, over an immortal life that’s empty. By staying in Middle Earth and taking Aragorn’s hand, she also effectively ensures that the new King will have an heir, thus she is actually playing a very key (though totally off screen!) role in the well-being of the nation of Gondor.

There is still some ground to cover with Lord of the Rings and that will be wrapped up in the concluding chapter.

PART VI

The Aryan Kampf in "Lord of the Rings" - Part IV

Events and Places
Volume II: The Two Towers

The story picks up right where the previous installment left off. The Fellowship had been separated by the Falls of Rauros and now three parties push on with the Grand Task. I have said that the Fellowship wasn't really "broken" (as the chapter title seems to suggest), but that it is still intact and it is just different duties that sent the members in different directions. This idea is confirmed by the Extended Edition DVD, which includes a map of the Fellowship's trek on the box art. The map on the first film's DVD box shows the Fellowship's path from the Shire and to the Falls of Rauros, thus the Fellowship was formed much earlier than it was formalized by Elrond, simply new members joined the mission. In the box art to The Two Towers, there is also a map, but now with three paths - that of Frodo and Sam; that of Aragorn, Legolas and Gimli; and that of Merry and Pippin, who go through a similar change that their two Shire kin have already begun to experience.

Frodo and Sam's Journey
The first of three major plot lines in the film. Frodo and Sam are traveling through a chain of mountains and the journey is starting to take a heavy toll on Frodo. First, he has a nightmare about Gandalf's fall from the Bridge of Kazad-Dum in Moria. Second, the weight of the Ring is making him ever weary and seems to be altering his body. Sam notices that Frodo is eating and sleeping very little, thus it must be the Ring that is somehow driving him and this condition of being artificially alive are the first steps that led to Smeagol's degradation into the Gollum.

Gollum is also introduced as a character here - previously he had just been an ominous background stalker as seen in The Fellowship of the Ring. Frodo connects with Gollum in a way and he seems to at least partly understand Gollum's condition, since he himself is going through what Gollum went through years and years ago. Sam, on the other hand, is very wary of Gollum and suspects him to be pulling a two-faced trick so that he can get his hands on the Ring, which he repeatedly calls "the Precious." Gollum may be just a goy of Sauron, though he is a clever goy and promptly begins to use the Dark Lord's favorite tactic of divide and conquer. Gollum knows that he cannot overpower both Hobbits at the same time, especially since Sam is not falling for his charade, so he starts to sow discord between the two Hobbits. This is subtle at first, such as calling Frodo "Master" and belittling Sam as "the fat Hobbit," which, in effect, places them on opposite ends of a forced dichotomy - one is held in esteem, the other in disgust. Through constant repetition, this mindset of Gollum's begins to settle into the minds of Frodo and Sam and the seeds of conflict start to sprout. The first argument that the two of them have is after being with the Gollum for a few days, yet they were best of friends before. Thus, this new found callousness they have towards each other (though mainly Frodo towards Sam) must have been subversively introduced - first by the Ring and then further stirred by Gollum, which is basically just the same process as both serve the Dark Lord.

Gollum's inner conflict is also a mirror of Frodo and Sam's brewing conflict. The theme of duality seems to be very pervasive in Lord of the Rings, and due to the great length and scope of the work, Tolkien was able to demonstrate not just a great many possibilities, but their opposites as well -- Boromir and Faramir; Saruman and Gandalf; Denethor (whom we still have to meet) and Theoden; Gollum/Smeagol and Frodo & Sam. In all instances, one side is seduced by evil, while the other rises up to the call of duty, note that this does not always mean survival.

The destructive efficiency of evil hopes that by making one side fall, the other side will be pulled down trying to save it. This image of a forced dichotomy that is engineered to destroy is the main theme of this chapter and the first great task of the Fellowship is to counter it.

Dichotomy of the Two Towers
There are two literal towers in the film, Orthanc in Isengard and Barad-Dur in Mordor. These titular towers represent the Grand False Dichotomy that the Dark Lord is using to divide the nations of Middle Earth, but mainly the two nations of men - Rohan and Gondor. This image can be directly applied to the real World Cold War that was in full swing when Lord of the Rings was first published with the two towers being Washington DC and Moscow, or Capitalism and Communism, or NATO and the Warsaw Pact, etc... However, this idea of subversive divide to pave the way for easier conquest and control is nothing new and a well versed scholar like JRR Tolkien was certainly well aware of this fact. To this day we have people arguing over left and right in countless forms be they social, political or even in the fields of science. The point is that it very effectively negates the objectivity and focus that unity requires and thus Gentiles remain repressed. It is a grand irony that this unfortunate condition is largely due to their own doing, but that is what makes it so hard to combat - it requires the swallowing of one's own pride (something not easily done) and realizing that you've been fooled by an illusion.

This is by an large what the puppet master Sauron is counting on, that capable Men are unable to swallow their pride and sacrifice for their neighbor with whom they have a grudge or in whom they see some arbitrary difference, be it political, social, cultural, or national - or even simply geographical. Conquest of spirit precedes conquest by sword.

The Light of Arya begins to expose to the False Dichotomy

Gandalf's Journey
A longer version of Gandalf's great fall from the broken bridge of Kazad-Dum is the opening sequence of the film. Despite already being very deep underground, Gandalf and the Balrog seem to fall into a pitch black abyss and in this sequence we see that it is actually quite deep, they fall and even fight while still falling and falling...

This could be explained by the fact that they actually weren't that deep underground, but near the foot of mountain as the surrounding landscape seems to show. However, a literal and physical explanation will come to another dead end: when Gandalf tells Aragorn, Legolas and Gimli of his fall, he says that he eventually defeated the Balrog while up on what can only be the peak of a great mountain. How did he fall so far and wind up on an alpine summit? The explanation, therefore, must be metaphysical and/or spiritual. This would also explain why Gandalf is still alive after such a strenuous feat as well as why he seems to be endowed with not just new powers, but effectively a new life - Gandalf has ascended to Arhat. The fall down to the depths of Middle Earth and the final fight up on a freezing peak is him triumphing over all levels of his natural condition - both in spirit and in body. Each member of the Fellowship is on the same kind of metaphysical journey in conjunction with their mission.

Edoras
Edoras is the main city of Rohan, which is one of two nations of Men in Middle Earth. An alliance between these nations is key for Sauron to be defeated. The Dark Lord knows this all too well and has used his puppet Saruman to forge an army of elite orcs in order to destroy Rohan. Saruman is also up to tricks of his own and has divided the leadership of Rohan and effectively made it powerless and subversively guided by him. King Theoden of Rohan is under Saruman's spell and the King's advisor Grima Wormtongue has been bought out by Saruman and thus maliciously advises the King. When Eomer, the King's own nephew, warns his uncle of the coming danger from orcs, Grima accuses Eomer of being a warmonger and has him banished from Edoras, after getting Theoden to sign an "official order." Grima Wormtongue is a very apt name for this character and as with many names in the whole work, it is no mistake.

The Parasitic Advisor with the Puppet

This image can be directly applied to real World Jewish subversion of national leaderships. The United States government is a perfect example and it doesn't take very much research to see that while the US President is (and always has) been a Gentile, the amount of Zionist Jews in the Presidential Cabinet has been ever increasing. This allows the subversive agents to be very influential with a direct link to national leadership (right at its side and whispering into its ear), while also being able to take zero responsibility for any failures of their puppet since they didn't "officially" make the decision - they merely "advised" and "suggested." This allows them to place a weak leader in order to attempt to execute a strong (and possibly even noble) plan, but the inability of the leader will be ignored upon the inevitable and calculated failure upon which it will be the plan, not the leader, that will be labeled as "ineffective." Next, very quickly, the opposite plan will be implemented, which was the scheme all along. The other possible subversive course is if a leader gets too near a controversy of some sort (often even this can be engineered as well), he can be promptly removed and a new puppet, one ready to listen or take the fall, can be then installed. The overall point is that while leadership constantly changes, the parasitic agents always remain. And the masses still wonder why change hasn't come as initially (and repeatedly) "promised."

Consider the motto of the Israeli Mossad: "Where there is no guidance, a nation falls, but in an abundance of counselors there is safety." The subversive factor is that these "counselors" are actually placed in foreign nations; they are the parasitic advisors who funnel an able nation's resources to the Jews. The United States gives Israel a large, yearly, and unconditonal sum of money, military equipment, and aid. This is the real World's biggest example of "guidance" and "counselors" which via secrecy and brainwashing is kept from the American public. However, there are some who are well aware of this.

Grima's mission is to ensure that division and indecision keeps Rohan in a weak and disorganized status quo with everyone hesitant about what to do and how to do it. Gandalf, now as Arhat, easily sees through this charade and quickly reveals the real nature of this corner of the chessboard. Grima, confronted with reality and unmasked, flees in shame without any of the prizes that were promised him. King Theoden is tempted to strike Grima down, but is held back by Aragorn and promptly realizes that impulsive reactions cannot be the solution to their present situation. So, King Theoden was not only freed from his mind prison and reverted back to his normal human state, but also has begun to act more nobly, thus is taking his own small, but sure, steps out of the ignobility that plagues the men of Middle Earth.

When pulling Theoden out of Saruman's spell Gandalf says a very interesting line to describe the situation, "like poison from a wound." This applies directly to the method Zionist subversion, which secretly frightens its puppets with some infliction of false flag terror and then claims to have all the remedies, which are then implemented by parasitic advisors. However, it is those elements that are the poison, the "spell," which then keeps the puppet under appropriate control. Gandalf snaps Theoden out of just such a condition.

The Noble Advisor with the Leader

Gandalf then advises King Theodon on the best course of action and this is, no surprise here, a militarist plan - the Folk of Rohan are to set aside their differences with the Folk of Gondor and meet their shared enemy in battle.

An interesting visual detail, which can be seen in the screen shot above, is that there is a Gnostic Cross in the design of the throne and it is right by the King's head when he is sitting up straight. However, when he was under Saruman's spell, Theodeon was slumped and slightly angled away from the Cross and towards the traitor Grima.

The Battle of Helm's Deep
This is an interesting development in the story since going to Helm's Deep seems to contradict Gandalf's advice of militarist action. However, due to Gandalf not really protesting the decision all that much, but in fact going along with it, the decision and motivations behind it are militarist and they certainly achieve such results.

The Battle of Helm's Deep will later be seen as a mirror of the final battle by the Black Gate of Mordor. At Helm's Deep, evil marches to confront good, while later at the Black Gate, good will go to confront evil. The overall strategy of this move is also a dynamic opposite to Sauron's strategy of divide and conquer. By hiding in the defensible position of Helm's Deep, Theoden evens out the odds of facing Saruman's great army of orcs, but also, in effect, denies cooperation between Saruman's army and Sauron's army. The move comes at a heavy cost and many lives are lost, but it seems men just can't help but using the enemies' weapons against them! Though, the weapon here was the general strategic move, a counter move to be more precise, thus Theoden did not succumb to the power of the Ring or sellout his honor in any way. The members of the Fellowship may have felt somewhat aggravated by Theoden not doing things exactly as they imagined, but they realized that Theoden is a sovereign leader and must be allowed to enact his own leadership in his own lands. The victory at Helm's Deep was a tough one to achieve, but it effectively united Rohan and destroyed a key part of the False Dichotomy set up by Sauron - Isengard's army is annihilated.

A strange, and seemingly out of place, event in the battle is when the orcs breach the fortress's outer wall with some powerful explosives, which they placed at its base in a key weak point - a drain. These bombs are set off in a suicide run by a torch bearing orc and the most frustrating part of this scene is that Legolas fails to bring him down despite launching two arrows. This is the only time Legolas misses and it's twice in a row. However, this is not so much of a plot point and an excuse to show a big explosion as it is a reflection on how the Dark Forces in the story work. The orcs' initial mass storming of the wall served as a cover to plant the bombs; Aragorn and Legolas realized too late what is going on and the mines were detonated. This progression by deception is exactly what Sauron is doing and him getting ahold of the Ring would be just like the bombs going off here - only the swarm unleashed then wouldn't even be winnable in a pyrrhic victory for the Good in Middle Earth.

The end of the battle at Helm's Deep has some interesting symbolism. Gandalf rides down a giant slope with Rohan's Cavalry and the rising Sun, the light of the Swastika, blinds the orcs/golems and they are decimated with the scattered remaining ranks fleeing into the nearby Fangorn Forest where the living trees finish them for good.

The triumphant army of Rohan, which now includes Eomer and his Riders, is set to be part of the overall Kampf against the Dark Lord Sauron.

Ents and the Battle of Isengard
The Ents are an interesting addition to the story and the third of major plot lines in The Two Towers. This plot is the one with Merry and Pippin who were kidnapped at the end of the last film and Aragorn, Legolas, and Gimli set out after them. However, they met Gandalf who told of his fight with the Balrog and assured the Fellowship members that the Hobbits are safe.

Merry and Pippin escape during a fight at the orc camp, Eomer and his Riders ambushed the Uruk-Hai, and the two little Hobbits fled to the nearby wood. There they found out that the trees are not just alive... but alive and moving! These tree beings are then Ents who safeguard and care for the forest. As a metaphor, this is directly applicable to the Aryan notion of the unity of all things under the Sun, as symbolized by the Swastika or any other of the many Sun symbols, which all derive from the Aryan Swastika. In brief, the trees join the Kampf! This plotline also shows that Merry and Pippin are maturing as warriors and, in fact, are on their own respective journeys of ascent out of their natural Hobbit condition. Each one has a role in getting the Ents to rally against Saruman. Much like Men, the Ents rise up to the call of duty after being shown the destructive possibilities of the Dark Lord's plan; the Ents see that Saruman has destroyed much of their forest to fuel his industrial forges and create his army.

With this sight, the Ents see that they must spring into action and march on Isengard. The ensuing battle has more Aryan symbolism as the golem foundries fueled by artificial fires are flooded with a great river that Saruman had blocked to allow his industry to expand. This is an image of natural life overcoming the artificial - water snuffs the foundries and the Ents smash the orcs - the trees shatter the golems.

An interesting visual detail here is that the walled compound that is now at the center of Isengard, and the one that the Ents flood and destroy, has six sections as can be seen below - three diameters in a circle means it has been partitioned into six parts. Thus, a six-pointed icon that has been forcibly scorched into the face of Middle Earth is destroyed in this battle.

Divinity drowns the Demonic

The Kampf Continues
One side of the False and Forced Dichotomy has been destroyed, however, the struggle is far from over. In the ruins of the city of Osigiliath, Faramir realizes that he cannot bring the Ring to his father, Denethor, even though he is very anxious to please his father who doesn't seem to appreciate his efforts. This is a very important step and the defining moment between Boromir and Faramir - both were faced with the same choice and both chose differently and thus wound up on very different paths.

Interesting is that Osigiliath, a destroyed city, resembles the halls of Moria, which is no surprise as both fell to the same plague. Frodo and Sam left Moria in despair, but now they press on in their journey with a new found hope, which Sam describes in a monologue. "Some things are worth fighting for" - he is basically talking about Aryan ideals of civilization. Gollum also has a final monologue, with himself, and he continues his scheme of trying get his hands on the Ring. He even seems to suggest that he wants to keep it for himself and not give it Sauron, which reflects his true nature of serving only himself, which is a trait that ultimately even Sauron possesses.

Next, the Kampf will go on to its two greatest tasks - facing Sauron's Army in battle, which will require the alliance of Gondor; and the destroying of the Ring, which will require entering Mordor.

PART V

The Aryan Kampf in "Lord of the Rings" - Part III

Events and Places
Volume I: The Fellowship of the Ring

Prologue
In the opening sequence we see the history of the Rings of Power and how they were formed by Noble beings, the Elves, with the intention of gaining insight about their World and the other beings in it. It was an act benevolent in conception and intended to be that way in practice. However, the Dark Lord gained knowledge of this and quickly found a way to cheat the new order for his benefit with his own Ring. His campaign of war and pillage tears apart many groups from many different races, but it was not the military aggression from Mordor that led to the decline, that was just the final step of exploitation and reaping of resources. From what we know about the Rings, we can assume that there was some moral corruption that penetrated the leadership hierarchy of each nation and thus made them easy to conquer - they were not united. These factors must also include economic turmoil as well and the Gold symbolism of the Ring is more than enough to link it to a monetary interpretation, among others. The main idea, however, is that due to Sauron's secret Ring, all the others were indebted to him and thus slowly lost their power, he slyly sucked enough of it up to unleash an easy conquest. The Jewish controlled usury system on our very real World works just the same, a central bank works like the One Ring that has all of its pawns in debt slavery and this routinely leads to wars, revolts, depressions and general turmoil for honest working people.

Naturally, we've had many opportunities to rid our World of this money menace, but as Isildur's Choice shows, this kind of exploitative power is not only corrupting (that's a later step), it first appears to us as appealing and desirable and hence has not yet been destroyed. The Noble and wise Elrond sees that dangerous folly of Isildur's Choice and watches in hopelessness as the man with the chance to put an end to the World's plague decides to try and rein it in for his own use. This quickly results in Isildur's final bane and the Ring is lost amidst chaos, passing on into legend with the common folk of Middle Earth being hardly aware of its significance, but the wise like Elrond know all too well what it is and what it means.

The Ring, as it leaves Isildur to be killed by ambushers, is said to betray him in doing. It then passes to myth during its long period of being lost. This is directly akin to the real nature of the Jew, who, due to fictional lore in nearly every field of science and knowledge, has been lost. But this real Judaic face has also been replaced with something - a face of good, a face of a victim. As we will soon find out, the greatest trick evil ever pulled was convincing the World that it didn't exist.

The Discovery is Made and the Quest Begins
The Ring was picked up by a small being who eventually became the Gollum, its protector, but it too betrayed even him. However, it then accidentally fell into the possession of a Hobbit, Bilbo Baggins, who took it back home to the Shire. It gave him long life and it is on his 111th birthday that his old and wise friend, Gandalf the Wizard, begins to suspect something is not right. To his surprise, it ends up being the Ring that he's heard about from the history texts, the one Isildur failed to destroy.

Interestingly, a quality of the Ring is that it makes the one wearing it invisible in the regular spectrum of light, but as find out, this condition is not absolute invisibility... the wearer is simply visible in another spectrum. This makes the Ring in Tolkien's story not only similar to Wagner's aforementioned ring, but also to a ring conceived by Plato called the Ring of Gyges, which to grants invisibility and tempts the wearer to do evil. Plato's Ring can only be destroyed in the Crack of Doom, which parallel's Tolkien's Mount Doom and both locations are even described as volcanic, in fact, Mount Doom is just a straight up volcano. The "other spectrum" in which the Ring Wearer is visible is of course a symbol for the new realm of possibilities that they find themselves in. Note that the Wearer is not really alone, as other players are already in this field and they don't like uninvited guests!

This other spectrum is, of course, one Sauron and his Nazgul goys have under constant observation, thus Bilbo's little disappearing trick at his birthday party inevitably draws evil closer to him and the Ring. Luckily, Gandalf has detected what is going on at this point and convinces his old friend to give up the Ring. Hobbits are shown to be mostly apathetic as to what goes on in the World beyond their Shire, but Frodo rises to the task when it comes to the duty of getting the Ring to a safe location, one where it can remain hidden. The first idea is to keep it in the Shire, somewhere secret, but it proves too late for that. So Frodo sets out with his trusted friend Sam, but they soon take along two other hobbits, Merry and Pippin, on their journey. It is a journey that will forever change them.

When Frodo tries to hide from the Nazgul as he encounters them on Weathertop, he sees the futility in trying to win at a game that is rigged by the Dark Lord. He may be invisible to his friends, but the Nazgul still see him, they are part of the Dark Lord's chessboard, thus by putting on the Ring he is just making a predictable move and is promptly wounded mortally, but Aragorn (whom the Hobbits met the previous night) manages to fend of the Nazgul and the group presses on to Rivendell to get medicine for Frodo.

Due to this being a big studio production from Hollywood, the visuals may be suspect and not totally faithful to the themes that Tolkien had originally written out, but nonetheless there was one visual detail that I found very interesting. When Gandalf first tries to pick up the Ring, the framing of the shot has a hexagram shaped light fixture overhead and the shot composition looks like a though-bubble. Thus, Gandalf seems to be thinking about a six-pointed object when looking at the gold Ring of Power... and when he tries to pick it up... the Eye of Sauron, a.k.a. the Eye of Zion as seen on the back of a Dollar Bill (a debt inducing tool), flashes and he then fully realizes the frightening truth.

Eye of Sauron & Eye of Zion

Isengard
The Order to which Gandalf belongs is based in a large tower, Orthanc, in the middle of Isengard. His superior is Saruman the White, who unfortunately makes the same choice as Boromir will later, only Saruman does not go on to redeem himself. He fully commits to an alliance with the Dark Lord and clearly states that this is "the only choice" that the Wizards have. In other words, he is worried about saving his own skin and gaining some power while he's at it. He becomes a goy. He also starts to destroy the forest around Isengard and industrializing the land to make a large quarry or forge of some sort from which he makes an army of golems/orcs. A particularly powerful breed of orc that he starts to make, the Urak-Hai, is said to have some traces of Elf in its life-force. This will prove to be a danger for our heroes as these more powerful golems can stand the light of the Sun and move about with full strength during the day.

Rivendell and the Council of Elrond
Frodo heals after being brought here by Lady Arwen and her quick horse riding. Rivendell is one of the main cities of the Elven nation in Middle Earth and home to Elrond who has called a Council of Dwarves, Men and his fellow Elves to decide what is to be done with the One Ring.

Note that when describing the situation of men on Middle Earth he says that "men are scattered, divided, leaderless" and doesn't express much hope about their abilities. This can be directly applied to real World strife that Gentiles face and their ineffectuality at dealing with the problems and dangers that plague them.

Boromir is also introduced in this scene and his weakness, which is the same one that spelled doom for Isildur, becomes apparent at the Council meeting. He suggests that the Ring is actually a gift and can be used against the enemy. However, we have already seen the futility of such matters, not just with Isildur, but we have seen it first hand with Frodo on Weathertop. An argument ensues at the meeting when the question is raised as who will be tasked with destroying the Ring as that is quickly seen as the only logical option. Note the quick shot of the characters reflected in the Ring as they argue... it is fueling their anger as it has always done to divide and conquer and thus outlast all of its enemies. Frodo, who has seen first hand the power of the Ring, rises now to the new and much grander task of taking the Ring to Mordor and destroying it. He does this out of a sense of duty and this one voicing of reason almost immediately gets everyone else to see what they must do: "Unite or Fall" as Elrond said earlier, but it is only now that they all fully understand it.

Interesting is that, while the Ring can easily divide to conquer its victims, it doesn't take much to get people rallied against it - even Frodo, a small Hobbit, who doesn't at all initially appear to be a militarist leader, manages to do this due to his new found will. He basically becomes an "Ubermensch" in that moment, an idea that Nietzsche described and one that Hitler later applied in German society. Note that it is not a biological term, but a sociological one and a member of any race or nation can ascend to it, just like anyone can become an Aryan, the traits are not ethnic specific.

The Fellowship of the Ring is what is needed to smite evil, a multi-ethic cooperation looking past arbitrary borders and differences in order to realize common purpose.

Multi-Ethnic Cooperation begins its Key Mission

Moria
After some traveling the Fellowship enters the Dwarven Mines of Moria, which is a whole underground city and one of the main locations of the Dwarf Folk. Unfortunately, the city mine is in complete ruin and its inhabitants have been all killed. Legolas determines the culprits to be Goblins, but there is something far more sinister lurking here and too bad for our heroes that it eventually senses their presence.

The overall symbolism of Moria is a vision of a dark future, as what happened here is a dangerous possibility across all of Middle Earth. It was the greed from the Rings of Power (once they were tainted by Sauron) that led to the Dwarves' destruction here. They mined so deep that they awoke an ancient beast called the Balrog and, as we have seen, this monster is really just a projection of Sauron who wants to wreak havoc across all of Middle Earth as the Balrog did in Moria. Sauron is routinely shown with fire, especially his Eye. Balrog is also clearly a devil-like creature who, just like Sauron, was recently roused from slumber and immediately sprung into action to repeat and expand upon his former deeds of civilization and culture destruction. Note that the Balrog wields a whip, likening it to images of Yahweh as depicted on the Judean Maccabee amulets.

Standing up to the Devil

This sequence ends with the key image of the Balrog falling to an abyss, the theme of falling will repeat several times at key events of the whole story. The defeat of the Balrog also came at a heavy price, though - Gandalf fell down with it.

Lorien
The Fellowship next comes to Lorien, the capital of the Elf Folk. Here Frodo sees, in the mirror of Galadriel, essentially a repeat of what he saw in Moria: a dark possible future, including a vision of a destroyed and enslaved Shire. This last bit will come into play at the very end of the third volume.

By the Falls of Rauros
After saying Farwell to Lorien, the Fellowship heads down the Great River and stops at the Falls of Rauros where the last key events of this volume take place. Boromir finally succumbs to the Power of the Ring, but with his breaths actually redeems himself by stopping himself from killing Frodo and letting him escape, he then fights to save Merry and Pippin from the Uruk-Hai, but is mortally wounded. Aragorn gives Boromir a warrior's burial with his armor, shield and sword. Though, not all players can end up like Boromir for the Kampf to succeed, we must realize before inevitable death what needs to be done and how. Aragorn realizes this and refuses the Ring, as does Gandalf in the beginning in the Shire, and as Galadriel does in Lorien.

Frodo and Sam go it alone to Mordor and Frodo's increasing independence has him also making the spiritual journey to the Arhat. Note that Sam will be by Frodo's side like a loyal Kamerad to the very end, until the final key task of the journey is done by Frodo.

Aragorn, Gimli and Legolas go after the remaining Uruk-Hai who have kidnapped Merry and Pippin. Oddly, this chapter, in the novel as well as in the DVD chapter list, is called "The Breaking of the Fellowship" but this can be misleading. The members of the Fellowship may be in different locations with some being held against their will, but the Fellowship is still in operation, they are continuing with their ultimate duty, though individual members may have different tasks to carry out. Even the late Boromir is still in effect a part of it, since the bond of the Fellowship was and still is:

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Unity Through Nobility
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PART IV