Perceiving Aryanism and National Socialism

I can imagine that one day long ago when a system of mathematics, that eventually became one of Persia's greatest achievements in the form of algebra, started to play a key role in various transactions and this made certain sneaky merchants angry as it is harder to lie with numbers than it is with simple sleight of hand. Perhaps many of these dishonest merchants saw the logic of mathematics as "evil" since their schemes were now easily disprovable.

An analogous situation occurred in Germany when Adolf Hitler rose to power and very quickly started to push out all the Jewish schemes from the economy. Hence, National Socialism has been branded as "evil," since it caused trade, culture and society in Germany to be truly of the people and by the people thanks to its revolutionary new system. Those who did not wish to participate in, as well as those who sought to subvert, the new order were detained and set on course to be re-educated in camps. Hitler knew the dangers of subversion as it was such actions that caused the German defeat in the First World War... a war during which not one shell impacted German home territory. Marxist organized strikes, engineered class conflict, crafted hate of the intelligentsia and ethnic groups in addition to other subversions caused rampant chaos in Germany and in the newly created eastern nations of Czechoslovakia and Poland - strife in the Sudetenland and uprisings in Silesia as people felt displaced or left out from where they wished to be. No doubt that the sloppy Treaty of Versailles was meant to cause all of this. If it wasn't proven before, it was proven now - the masses are asses.

Enter Adolf Hitler. He had been carefully watching events unfold since his first sojourn as a student in Vienna - the futility of the parliamentary system, the dishonesty of the Press, the decaying of culture all at the hands of puppeteers who relished in chaos amongst the Goyim for it allowed them to implement their own selfish solutions and appear to be like geniuses and saviors - a perfectly fitting solution for the Jewish ego.

He saw what needed to be done

Out of chaos cannot come an order, but rather an order must be made from the chaos, for the chaos was Germany herself. Hitler wasn't seeking to advance the country, but first revert it back to a stage from which it can successfully advance - he believed in the Original Nobility of the Germans.

However, he also displayed a belief in the Nobility of other nations, namely the Slavs, who at the time were a great nuisance to Germany. Russia was overrun by Judeo-Marxists, the Czechs and Poles were aggressive about their new borders and the regions from Pomerania down to the Sudetenland saw ethnic strife, but most critically, the Soviets had already launched a war, barely after the conclusion of the giant preceding one. The Bolshevik onslaught was pushed back by the Poles after going as far as the outskirts of Warsaw. From this the Poles saw the USSR as their enemy, but also, in one of their greatest blunders, didn't see their German ally who had put forth conditions for the co-existence of Poland (as well as the Czechoslovak state) next to Germany as a joint buffer against Judeo-Bolshevik terror. The wise Hitler recognized his nation's real enemy and the enemy of all nations of men: it was the Jew who out of the chaos of the Great War was still busy creating more and more chaos on all fronts - social, geopolitical, economic.

The sleight of hand of the ancient dishonest merchant had grown to horrific proportions. The ancient herder's manipulative tactics had adapted into an intimidating and complex force.

Adolf Hitler didn't back down in cowardice of it all, he wasn't baffled into fear by the sheer scope of it, he wasn't selfish and thus didn't keep the solution to himself for his own gain.

THE ANSWER

"I have no hesitation in saying that in those men who seek to-day to embroil the patriotic movement in religious quarrels I see worse enemies of my country than the international communists are." ~Adolf Hitler

It applies to every country and international relations.

Revert the mess of society back to this:

Thus, making it possible to progress forward to this:

The key perception that we must see is that National Socialism is as German as Algebra is Persian or Geometry is Greek. Each has its source and will forever be known as hailing from there, but the applicability of each is so universal that it should be absolute standard. Algebra and Geometry are standards, however, National Socialism is not. Algebra's application, though, has been corrupted by the Jew who is at the ridiculous point of pulling numbers out of thin air, or simply typing them into a digital interface, so as to push forward his false transactions - it's the same old lying merchant and manipulative herder at work.

The result:

Confinement

Aryanist solution and continuation of Hitler's Kampf:

FREEDOM

The Aryan Kampf in "Lord of the Rings" - Part VI

Conclusion

After Aragorn's coronation as the new King of Gondor, the goals of the Kampf that the Fellowship set out on, have finally been accomplished. There is a spiritual progression throughout all of Middle Earth, but especially in the members of the Fellowship. Gandalf had ascended to Arhat much earlier, but now Frodo and Aragorn effectively join him. Also, given his ancestry, Aragorn taking his rightful (and dutiful) place on the throne at Minas Tirith is effectively the first major step in the reemergence of the Aryan civilization. However, since all key Aryan traits are not ethnic specific, the new standard of nobility that is now in place throughout Middle Earth is the real meaningful reemergence of Aryanism. One Aryan leader wouldn't mean much without a noble folk supporting him.

The Hobbits return to their Shire and most of the residents here are completely unaware just how monumental the past thirteen months have been. With their noble character, Frodo, Sam, Merry, and Pippin expect no thanks, they just know that what they did was right and that's enough. This change of character can be seen as they share a pint of ale in their favorite tavern, the Green Dragon. They just sit in silence, with a sigh of relief, do a "cheers" and take a few relaxing sips of the ale that they haven't had for over a year. Note that in the background, the other Hobbits behave like, well, like Hobbits; they're rowdy and inebriated, but they do mean well, though only in a humanist (or maybe hobbitist?) sense. Our four little friends, however, have become conscious of Arya and Universalism. It also gives Sam that extra bit of confidence he needs to finally profess his love for Rosie, the alewife at the tavern.

The Scouring of the Shire
There is a very large deviation from the source material in this concluding series of scenes. In general, everything ends up in the films as it does in the books, but one key episode was omitted from the film version: the chapter entitled "The Scouring of the Shire."

This chapter begins right when Frodo, Sam, Merry, and Pippin are returning to the lands of their Hobbit kin, but soon realize that something is very wrong. In short, the Shire has been over-run by thugs and also has been turned into crude industrial complex. To our heroes' surprise, it is all the work of Saruman along with his servant, Grima. In fact, what has been done in the Shire seems to mirror what happened at Isengard with the massive golem foundry for making orcs.

With this key episode Tolkien has effectively illustrated the arid hate and parasitic persistence that drives the Jewish subversion of nations and cultures; if one place doesn't work out, flee and hide for while until another opportunity is ready to be exploited. The forcing of destructive industrialization represents Tolkien's own fears from what he saw happen to the English countryside as many nations and economies started to get more and more mechanized. However, the well versed Tolkien must have also known about such things going on in the USSR and this is where the "rule by terror" notion seen in the story can be applied. It is a well known fact that at least 75% of all Soviet Commissars were atheistic Jews and they hated priests, yet held rabbis in high esteem, which of course, makes it plain that they just announced themselves as atheists, but secretly continued to practice Judaism. This also makes plain as to why the Soviet regime destroyed churches, but left synagogues standing. Saruman's actions in the Shire here are basically a line by line account of Bolshevik terror, but guised in story and metaphor.

Despite this different chapter in the book, Saruman's fate is very similar in both book and film. In both instances, Grima jumps up at him with a knife, but is then cut down by some well aimed archery. Though, in the book it is the Hobbits that fire the arrows. This also brings us to a key factor of message subversion. The movie shows the Hobbits living a peaceful life and not worrying about anything - all the important events take place elsewhere. Most people living today are in a situation analogous to Hobbit life - there is work, family, and job with the great big World beyond this immediate sphere and it is primarily seen through the media. Thus, the film's message is "don't worry, someone capable will fix all those horrible things you hear about." There is no doubt that Tolkien was well aware of the dangerous folly of such thinking and thus made it clear that ALL nations and folks must be ready to stand up and fight - even happy little Hobbits.

This review of the film The Dark Knight also examines the idea of ordinary people needing to unite to solve the plagues of their nation. Note the last section on the character, Brian.

Saruman's death in the film has metaphysical metaphors as we identified in Part V - he gets impaled on a symbolic Aryan Sun Wheel - while in the book he is driven out by Hobbit militarism with his death being a little more pitiful - he dies from the volatility of the situation that he is ultimately responsible for getting himself into. These two endings may take a different route, but wind up at the same meaning. The spoke wheel from the film could also be a link to Buddhism, which is an ideology that thoroughly rejects nefarious Talmudic materialism.

Saruman's Final Bane

Some Other Matters
Galadriel's Ring, which only shows up in one brief scene, can be seen to have six-points as the Judaic hexagram. However, Galadriel's ring is a flower, not a star, and on close examination you can see that the petals are "swooshed" to give it a spinning, or even Sun Wheel, appearance. The connection between Flower and Sun furthers this idea, thus the Rings that the Elves made to get knowledge about Middle Earth are shown as flowers to mean something along the lines of "blooming knowledge" from the Sun Wheel - the Swastika. Also, Galadriel's Ring is silver, while Sauron's Ring is gold. There is no doubt that a currency and monetary theme is at play here. Here some some interesting articles on the Aryan qualities of silver.

Perhaps the design choice of six petals was meant to appease Hollywood Jews, who just smelled a ton of money from the potential box-office success of an adaptation of such a popular book, but they didn't bother to look deeper and see that all the film's coherent symbolism and themes are actually Aryan!

Even the idea of the Elves "going West" has been inverted from its apparent Judaic/Masonic meaning. This was, of course, done by Tolkien long before the movie was made. In Freemasonry, when someone dies they are said to "go West." Tolkien ridiculed this idea by having immortal Elves go West! He flipped the Masonic idea on its head and probably had a good laugh about it. In the film version the last shot of the boat "going West" and into the Sun suggests that the departing Arhats are becoming one with Arya. It also looks a lot like a Viking funeral rite, in which the body was placed on a boat that was then lit as a funeral pyre and cast out towards the setting Sun. So, there are many interlocking metaphors here (as well as the satire) and they all tie in with Aryanism.

Passing into the Infinity of Arya

The one problematic thing seems to be that the one literal pyre that appears in the film is linked with Denethor's madness. Also, the dead at Rohan are buried in mounds. However, since the film takes place in the Third Age, before the Return of the King and Aryan Nobility, this can explain the lack of Aryanism in the lifestyles of much of the established nations.

Lastly, there is the idea of racial interpretation. The Gnostic Cross, which makes key appearances in the Hall of the King in Rohan and in the Royal Courtyard in Minas Tirith, is often used by White Nationalists. This can be seen on the main page of websites like "Stormfront" among others. This interpretation can be further solidified by the fact that all the good human characters appear to be Ethnic Europeans, while the bad humans are "The Men of the South" who can be seen as Moors or Arabs or even as Africans. Despite this, the racial interpretation is totally false. First off, the Corsairs who are mercenaries hired by Sauron, are shown to have many Whites among them, if not mostly Whites. Second, the orcs, who can occasionally be heard to speak English, have accents that can be heard around the United Kingdom, Australia and New Zealand. Thus, if race is applied to them, they'd could very well be White, though not necessarily due to the diverse population of those nations. The point is that this kind of interpretation of supposed racial supremacy falls flat on its face and cannot be made coherent through the whole story. Tolkien himself said that allegory was never his intention, but applicability. The only aspects that are coherent enough to be applied to our World are not racial, but folkist. Tolkien was advocating the unification of groups of folk. Note that this is precisely where he ends the core plot of his tale - when the various folk have united within their own nation, which then went on with noble relations with their neighboring folk, and this caused the defeat of their common enemy.

Also, as far as the Gnostic Cross goes, it should be noted that many non-racists, but racialists (a.k.a. folkists), use that symbol in their imagery and it is they who have an accurate understanding of its universalist symbolism.

Final Thoughts
The Aryan elements far outweigh the un-Aryan in The Lord of the Rings films. Even those un-Aryan elements that were introduced as part of the screen adaptation's production were nowhere near powerful enough to subvert Tolkien's themes. I have reviewed many films here, but this trilogy is, without a doubt, vital to authentic Aryanist revolution. Most of the other films that I have looked at only enjoy notice from small, but devoted, fan bases. The Lord of the Rings, however, is known and available worldwide in both its original literary version and in this very faithful film adaptation, which makes it one of the strongest elements that we have active on The Storytelling Front.

Aryan themes in “ThunderCats”

Movies, movies, movies… but now a little about television. More specifically, about a particular television show, ThunderCats, which first aired in January of 1985. I remember many 1980s and early 1990s TV shows as I was growing up at the time. I watched mainly GI Joe (with a typical young male military fascination) as well as some other zany, though fairly generic, cartoons like Tiny Toons and Bonkers that had all the classic cartoon slapstick gags such as falling anvils as well as all that silly and destructive, yet largely victimless, mayhem. Looking back at these cartoons now, there really isn’t much more to extract from them, they are mainly just simple fun for kids, though GI Joe is military propaganda through and through.

One show that I missed, however, was ThunderCats and I thank Kamerad Aryan Sanctuary for bringing it to my attention. Even when taken at face value, ThunderCats possesses something radically different about it than other shows of its time. Or from any time, really. Main reason being that ThunderCats has Aryan themes. Yes, the show is geared for kids, it’s a cartoon after all, and it does contain common storytelling devices, but the Aryanist factor is not just what happens, but how it happens. I’ll draw examples from some of the program’s first episodes.

Overview
The main story introduction tells us that the ThunderCats are all that’s left of a civilization from a now destroyed planet called Thundera. They were the civilization's nobility and among the ranks of the leaders of a folk. Now they must find a new home so that their civilization can continue. This very first episode is called “Exodus” and it may seem like a reference to the Jewish fabricated legend, but it in fact refers to the dispersal of the ancient Aryan Civilization. The facts have been greatly simplified for this cartoon show, but thematically it is consistent with reality. One needs to trail blaze just outside the mainstream media to find a wealth of information about the factual Aryan civilization and the seemingly “inexplicable” fact of why the swastika is probably the World’s most prominent (as well as most suppressed) symbol.

Lion-O, the heir to Thundera’s Leadership, is given a sword and his duty is explained to him by an aging mentor, who also tells the remaining Thunderans that their duty is to raise Lion-O so that he is fit to lead. There is an emphasis on “duty” which is a key part of an Aryan State, and the Code of Honor of Thundera even reads: Justice, Truth, Honor, Loyalty. This motto can be seen as a version of the SS motto: My Honor is Loyalty (with Justice and Truth implied as the SS was a Police Force when first established). The Sword of Omens that Lion-O receives is reflective of noble themes; knights had specially forged swords which is a tradition carried on to this day where it is customary for military officers to have a sword as part of their dress/parade uniform. The Sword of Omens even has a jewel at the base of the blade, just above the hilt, one that bears the ThunderCats’ emblem, which allows Lion-O “sight beyond sight” - a sort of divine knowledge - that he uses to summon his fellow warriors for help and into battle. This is likely a subtle reference to the Aryan Sun Circle, Greater Knowledge.

Perhaps the connection may be on a purely symbolic level, but I changed my mind on that when I noticed this picture:

Have you seen a similar banner composition and color scheme?

The antagonists of the story are known as the Mutants of which there are several brutishly cooperating groups. The leading group are the Reptilians that resemble snakes and lizards. They often use lies and manipulation to get their way, which equates them to the Snake People, a.k.a. Khazars - a violent tribe that was pushed from the steppes of Central Asia to near Europe where it adopted the monotheistic faith of Judaism as a matter of convenience to avoid conflict/maintain neutrality with their Christian neighbors to the West and with the Muslims to their South. Virtually all of today’s Jews (and the Talmud) can be ancestrally linked back to the Khazar Tribe. The Reptilians' allies are the Simians and Jackalmen, which are rather apt metaphors for many racist Gentiles. Monkeys were often used to convey primitivism in peoples (i.e. in Africans), but also in less offensive uses like the phrase “to go ape” meaning to get very angry for no real good reason, an example of succumbing to natural tendencies, which is essentially being primitive. The Simians here are just that. Next we have the Jackalmen; jackals are animals that hunt and scavenge flesh… a parallel with brutish Gentiles has just been made. Later episodes see the appearance of Vultureman (vultures too scavenge for carrion) and Ratar-o, a rat-like mutant, with real-life rats being creatures most concerned with procreation and surviving and not much else.

Upon landing on Third Earth (where the story’s action takes place) the Mutants come into contact with a demon-like being called Mumm-Ra. His name can be seen as a mistake for Amun-Ra, an ancient Egyptian deity, or even as a plagiarism. In fact, the Jewish Old Testament is essentially one long shameless rip-off of the religion of Kemet, an ancient African Civilization, in addition to other Jewish folly. Mumm-Ra also has a snake symbol, which links him to both the Snake People/Khazars and to Baphomet; his aura is that of a dark spiritual being alone in his chambers, rarely coming out, but frequently barking orders at subordinates while at the same time manipulating them for his own benefit. In short, Mumm-Ra is the fanatical Rabbi, one like Menachem Mendel Schneerson, who puppeteers atheistic Jews and Gentiles (though many may have some superficial beliefs in the Eternal) to carry out his Zionist scheme, which first and foremost involves silencing all Aryans. Mumm-Ra covets the Sword of Omens, which is a symbol of the power of the Swastika, and his main effort to steal it is to slyly convince the Mutants to get it for him so that he can then destroy the ThunderCats. Mumm-Ra's entire existence can be summed up as "desire for power and hate for all" - the latter even includes himself as Mumm-Ra cannot bear to look at his own reflection, seeing it turns him into a decaying corpse, a vessel with no soul, since he is just that. As long as he doesn't see this reflection and what he really is, the illusion he projects is so powerful that it even fools himself - self-imposed delusion.

Lastly, there is also a group of Goys, the Brute Men, whose looks can be described as anthro-cattle. The Mutants enslave them and force them to build a fortress. The Brute Men are honest beings, they mean no harm and do no harm, but they are being manipulated by the Zionists. Their salvation comes from the Noble Aryans who free them so that they can live their lives free and in peace. A key idea here is that the ThunderCats see the Brute Men much like the Mutants do, but noble peoples do not enslave under any circumstance.

“I agree with the Jews that most people are cattle. I merely disagree with how they should be treated.”

          ~John Alan Martinson Jr.

In fact, the ThunderCats at first even politely refuse an offer of help to build their own home base on Third Earth before finally accepting after the offer is insisted upon by some new found friends, the Ro-Bear Berbils.

Three-Way Conflict
The most important real world parallel that ThunderCats draws is the conflict with three simultaneous front lines. The ThunderCats are fighting, in effect, two other groups, not one. Mumm-Ra, by his own actions and own choosing, is separate from the Mutants. The Mutants, technically, also have the same stance on the situation. They have joined forces for the sake of convenience, but still operate independently, and wouldn’t hesitate to lash out with betrayal once they felt that they have gained enough. Essentially, the Mutants and Mumm-Ra have on loose terms joined forces just to put off destroying one another until after they achieve their goal of Aryan destruction. Thus each side involved has TWO opponents with the Mutants and Mumm-Ra the advantage of their “non-aggression pact.” However, this agreement is highly unstable and the ThunderCats have the advantage of much more unified movements from their warriors. Less is more when it’s optimized.

Interestingly, the episode in which the Mutants ally with Mumm-Ra is called “The Unholy Alliance.” A most appropriate name for a pact between two nefarious and self-obsessed groups.

Even if Mumm-Ra and the Mutants are seen as ONE group, thus apparently making the conflict two-sided, a third side is still present in the form of unaffiliated Gentile tribes that find their way into the conflict. In episode 6, the Mutants and Mumm-Ra do not appear at all, but a ship of creatures called the Berserkers shows up and immediately does what Gentiles/Jews would do: start exploiting other creatures. The Berserkers attempt to hunt down unicorns and the ThunderCats defend the horned equines despite never having been in contact with them before for. They do not yet stand for the unicorns, but they do stand against what the Berserkers are trying to do to them. The three-sided conflict isn’t about literal front lines, but that of ideas.

Jews/Zionists may possibly ally with Gentiles based on selfish motivation.

Gentile tribes may ally possibly with each other or Jews/Zionists based selfish motivation.

Aryan groups ally based on shared ideals and never with Jews.

The Aryan advantage is that Aryans are also willing to accept Gentiles if their ideals are in agreement, which would actually make them not Gentiles, but actually Aryans discovered from among society's dissimulation. These new recruits may then go on to join the Aryan Movement fulltime. On the flipside, self-obsessed Jews would never consider taking a Gentile ally into the ranks of Jewry, for allies of the Zionists are really just goys who will be shunned the moment their usefulness to Jewry is over. Thus “allies” of the Jews are just people who have been successfully conned into thinking there is an alliance. Or a Gentile may think that they have successfully conned the Jews into a pact, but such an agreement does not genuinely exist in either circumstance. Mumm-Ra and the Mutants have such an arrangement, both sides are ready to dump the other at the moment most opportune for their own group. The irony is that their in-group altruism is both what temporarily binds them while being the factor that is destined to tear them apart.

Aryans choose allies with whom they genuinely feel that they can work with. Thus the only true alliance is an Aryan one, or simply a noble one. When forming a coalition, Jews and Gentiles agree to disagree. They are sweeping dirt under the rug. When forming a coalition, Aryans agree on ideals, thus Aryans may be forced to only ally with other Aryans, but are also, in effect, already allied with those other Aryans since Nobility is immortal. They only need to make contact another Aryan group and only work out details on who performs what necessary duties, but the alliance is written in their shared nobility. Such is the meeting between the ThunderCats and the caretakers of the Unicorns. Jews would type out contracts and agreements, with exceptions, conditions and interest rates while Aryans just proceed with universalism. An noble group is an ally. An ignoble one is an enemy, be it Jewish or Gentile.

Bits and Pieces
The care takers of the Unicorns have crescent moon shapes on their staffs and star shapes on their foreheads. The crescent moon and star form the main icon of Islam, which includes teachings on animal welfare.

The Sword of Omens is only used to fight enemies and violence is never initiated with it.

The ThunderCats never fight innocents, not even the manipulated Brute Men, but instead break them out of their trance.

There are really many details like this all throughout. Each one by itself really doesn’t mean anything, but as a whole they do form a theme. Another very minute example is when in one scene the Thunder Tank, while in boat form, is going ahead unusually slow, so Panthro, who's driving, flushes out some sort of intake causing fish that were stuck inside to pop out. Panthro then smiles as he watches them swim away. This may not seem like much, but he did just save those fish from dying and was clearly happy to have done so. Thus, this little moment fits into the overall Aryan theme.

Conclusion
While this remains a kids’ show, it does have levels of comprehension, much like Aesop’s Fables are not just about talking animals. There is a message here that goes well beyond the typical good vs. bad story structure. Much of the message is conveyed through character actions instead of just dialog. There is also a much smaller aspect of fancy aesthetics here than in, say, GI Joe or Transformers. Those shows that not only were totally based in the Good vs. Bad (left vs. right, conservative vs. liberal, etc…) paradigm, but had a strong focus on elaborate military technologies and were packed with explosive action scenes in each episode. ThunderCats is a much smarter example of storytelling since not only kids have something of interest here.

There is also a revamp of the series due out in 2011. We’ll see whether this reboot remains true to Aryanism, or if Jews picked it up to taint and ultimately destroy the memory of this show with their corruption and plagiarism.

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Fan Sites:
ThunderCats Lair & ThunderCatsFans
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See Also:
He-Man review Part I & Part II

The Carnegie Deli: A Den of Jewish Indulgence

New York City, a sprawling metropolis, there are so many places and things to see here that it would take probably a lifetime. There is one particular little locale, however, that I would like to bring to my fellow Aryanists’ attention. It is some ten blocks up 7th Avenue from Times Square, right by the southwestern corner of the intersection with 55th Street. A new visitor is likely to spot the huge sign to the Wellington Hotel just across the street from this place, but there is a red awning that extends out onto the sidewalk with the sign: Carnegie Deli. There is even another small sign just above it reading: World’s Best. Seeing how it’s in the middle of New York City, some blunt capitalist jargon is not really all that out of place.

Inside is where the place starts to actually get interesting. There is a delicatessen where a customer can by something like they do in a market, but most people proceed to the restaurant that makes up most of the locale’s interior. I’ve been inside three times at various hours from early afternoon to evening and the place has always been packed. The first thing that can be seen here are the pictures on the wall, they’re everywhere, virtually every bit of wall space had a framed photo of a celebrity who was here at some point. Certainly a unique interior design choice, not many places that I’ve been to have it, but it also hit me that this is perfect appeal to the vanity and attention obsessed Facebook generation, which was made possible by digital photography; copious amounts of pictures can be taken and loaded up online for display and delusions of fame. Popular media also is keen on covering celebrity stories and what movie stars do with their personal lives, what they wear, and where they go out. So this business, keen on trends, made sure to tap into that and maximize profit.

However, the real meat of the matter is just that, meat. Lots of it. A sickening amount of it. Not only is nearly every dish meat based, the portions are, to put it lightly, absolutely absurd. Ironically, "carne" is a root meaning "meat." Now, I used to eat meat, I used to like meat, but even during the times when I found great enjoyment in a steak dinner or any well-made meat dish, I still found the portions here insane.

Just take a look at one of their sandwiches:

Kosher, meaning “Gluttonous Indulgence from Slaughter”

To any Aryanist, it should be no surprise that this Den of Indulgence is Jewish themed. The whole menu is kosher and one of the house specialty dishes is called “The Woody Allen” referring to one of New York’s most famous Jewish residents. The free appetizer given to each table is a set of pickles, which are very common in Eastern European Slavic culture, but did you actually expect the Jews to not plagiarize or manipulate something?

I usually talk about films here, but I found this restaurant relevant, since the place overall does convey a message, a most un-Aryan message, and one that can be summed up as: “Consume you goyim!” The monstrous portions, appeal to superficiality, mounds of kosherized flesh all amount to ZC approved culture. This isn’t the only place to do so, but from this example, an Aryanist should easily be able to see others like it, even if they do not contain all of the elements that this place does. The trend of large portions is especially popular in American restaurants and people are actually asking questions like “Why is there so much obesity?” This is when Aryanists usually facepalm.

Also, I have sort of confessed to eating at this kosher lair a few times, two times was before I became an Aryanist. The last time, however, was not too long ago and that’s when I got the idea for this article. I wanted to show a friend of mine something “exclusively New York” but soon realized it was a mistake. I ordered the Central Park Garden Salad, one of few dishes without meat and the only one I remember having no goy-products, though for an extra $8 they’ll serve it to you with grilled chicken! Another facepalm.

This may be a weird suggestion to my fellow Aryanists, but you should check this place out. If you eat, it’ll probably be that salad I had, but the point is to see everything our movement disapproves of and seeks to correct with human civilization. This may help you see your own position better, a “know thy enemy” sort of thing. I, for one, wrote this little essay due to my last (and it will remain my last) visit there. Though, there is no shortage of locales like this one, so if you do not wish to feed the ZC Beast, which is probably a smarter move, then may I suggest, going on an investigative trip to any other restaurant of your choosing. It may seem obvious or even pointless, but a closer inspection at the very apparent lack of Aryan Frugality in our civilization just may tell you something that was too obvious to take note of in the first place. This goes for many of the issues we face. But noting such a thing, often results in something useful, even if just on a personal level. Aryanism is not just a spiritual or political movement, as Der Fuhrer spoke many many years ago, it is the will to recreate mankind anew! Thus, there is nowhere we shouldn’t look for possibility improvement.

Aryanism - a misunderstood word and concept

Villification is an effective way to combat an enemy, since it is in effect, getting others to fight the enemy for you. With some carefully chosen words and images, hate can be incited and the masses will "remove" someone... sometimes literally, other times just through stigma.

Aryanism has suffered such a fate. In the eyes of the masses it is synonomous with hate and terror and war crime. It has been exceptionalized as the worst of the worst.

I once said "Irony's no slacker" and am continually surprised how right that turned out in many respects with one of those being Aryanism. I can't tell anyone what to think about it, if you are dead set on despising it, then as Aesop said, "a willful beast must go his own way." Not to belittle the reader, but in the original fable, the "beast" refers to a mule, though you can see the over-arching meaning at play; it can refer to any sentient creature.

Like the farmer in that fable, who tried to pull his mule back before it runs off, I will show the reader this -- http://aryanism.net/ -- a link to a website dedicated to Aryanism and how really a universalist and benevolent an idea it actually is.

Deep down most intelligent people know that the swastika isn't a hate symbol, but a sun symbol and it was very prevalent in many cultures before its villification. If the reader can at least accept that perhaps they'll be encouraged to take a step further on the website and read about "Aryan Race" -- another villified term -- and see that it too isn't about hate.

Perhaps the reader is ready to try and understand Aryanism, because only then will they be able to truly say that they accept it or decline it.